The Daiwa Anglo-Japanese Foundation – Supporting closer links between the UK and Japan
Exhibition: 23 Oct 2014 – 16 Dec 2014
Shizuka Yokomizo explores the phenomenon of the photographic image by looking at its different visual and non-visual spaces in its various stages of making. In her new work shown here, she takes instead the residual material of a previous project, engaging with it as a material in limbo, disconnected but not disavowed from its original conditions. The images derive from the out-takes of one of several shoots in 2008/9 when Yokomizo was involved in meeting various women in hotel rooms and photographing them in their trade as sex workers.
23 October ─ 16 December 2014
Monday – Friday 9:30am – 5pm, Admission free
Private View: 6 ─ 8pm, 23 October 2014
Artist Talk: 6pm, 2 December 2014
Seminar: 30 October 2014
It is clear from the accidents at Chernobyl (1986) and Fukushima Daiichi (2011) that severe nuclear accidents can occur, even if infrequently, meaning that coping strategies need to be developed in advance. Any mitigation strategy adopted will find itself in the spotlight of national and world opinion, and needs to be capable of rigorous justification, both to experts in the field and also to politicians and the general public, who have a particular fear of nuclear radiation.
Seminar: 4 November 2014
Beyond Nationalism: Sharing Democratic Values between Japan, South Korea, and the Overseas Chinese Diaspora
Dr Masato Kamikubo will use the “democratic peace theory” to argue that sharing democratic values between Japan, South Korea and the overseas Chinese diaspora is one possibility to overcome the crush of nationalism and enmity between China, South Korea and Japan and avoid conflicts in the Northeast Asia region.
Book launch: 11 November 2014
Yukio Mishima was the most internationally acclaimed Japanese author of the twentieth century: prodigiously talented, dazzlingly prolific and a prime candidate for the Nobel Prize. Yet in 1970 Mishima shocked the world with a bizarre attempt at a coup d’état, which ended in his suicide by ritual disembowelment. In his radically new analysis of an extraordinary life, Damian Flanagan moves away from the stereotypical depiction of Mishima as a right-wing nationalist and aesthete and presents him as a man utterly obsessed with time – time-keeping devices and symbols – arguing that this compulsion was at the heart of the author’s literature and life.