Events category: Private view

30 May 2017

Private View: To Look at the Fire by Toshiaki Hicosaka

The first London solo exhibition of the artist Toshiaki Hicosaka invites us to reflect on the world through fire: the driver of evolution, life, comfort and violence. From ocean to fire, his immersive installations of painting have embraced elements of the everyday. Through this new body of work by the artist, viewers can rethink the social and cultural environment that they live within.

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12 April 2017

Private View: var i = phenomena; var x = future; for (i < x) {i++} by Shigetoshi Furutani

var i = phenomena; var x = future; for (i < x) {i++} is the first solo exhibition in London by Shigetoshi Furutani. His work seeks a more effective way to deal with the limitations of language and to expand the expression of the two-dimensional form in an age of social media, engaging with the limits of chaos and order, proliferation and restriction. In this exhibition, Furutani juxtaposes digital collages of found footage and images and animations created by the artist himself.

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12 January 2017

Private View: 2s, 3s & 4s by Natsko Seki

2s, 3s & 4s is the first London solo exhibition of Natsko Seki, an established freelance illustrator known for her bright and playful style, which she often employs for travel-related illustrations and children’s books. Drawing viewers into her works, the artist creates a world where the differences in things have whimsical harmony as well as rhythmical contrasts.

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9 November 2016

Private View: Stella Maris was a name I found in a dream by Yoi Kawakubo

Stella Maris was a name I found in a dream is a new exhibition by the Spanish-born Japanese artist Yoi Kawakubo. This exhibition is the latest in a series of shows presenting works that Kawakubo has developed over the past two years. Shedding light into remote corners of history, these works deliver an experience that undoubtedly will transport the visitor to an archipelago of musings, mysteries and rumination on the history of mankind.

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22 September 2016

Private View and Artist Talk: HIKARI by Aki Kondo

On 11 March 2011, the Great East Japan Earthquake hit the north-east coast of Japan. To those who experienced the earthquake, the world has irrevocably changed after the catastrophe. The exhibition title HIKARI, meaning “light,” represents the hope we need in order to live on after the disaster, and suggests that the victims are still with us in this world in the form of light. For this opening of the exhibition, Aki Kondo will be joined in conversation by Jenny White, Head of Visual Arts Programme at the British Council.

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2 June 2016

Unexpected Stories by Umi Kumano

Umi Kumano creates his works by pairing seemingly un-related scenes and motifs as if they were part of a single event in one world. Although these elements may share no meaningful connection, the imagination of the viewers spins them into ‘Unexpected Stories’. Kumano’s sense of density and scale brings the viewers into a delicate atmosphere of joy and pale gloom, where the unpredictability of the artist’s narrative will surprise them.

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14 April 2016

Generated Images by Taisuke Koyama

Taisuke Koyama’s exhibition, Generated Images, thematises the possibilities of photographic expression in the post-digital era. He aims to provide a space for audiences to experience ‘environmentalised’ images in the form of the tangible objects and data created by digital devices. When photographs are shared and data edited with unprecedented scale and freedom, how can an image actually be created? In his first solo show in London, Koyama tries to explore the potential of photographic media through ‘indeterminacy’ and the replication of images.

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25 February 2016

Like A Prime Number by Enrico Isamu Oyama

Daiwa Foundation is pleased to present Like A Prime Number, a solo exhibition by Enrico Isamu Oyama.
Oyama is best known for the signature style Quick Turn Structure (QTS): minimal, free-flowing motifs of repetitive lines, developed from the visual language of graffiti culture and contextualized in the realm of contemporary art.
QTS is perceived by the artist as an infinite driving force with its own life; one that inhabits a higher dimension invisible to us. As a mediator, Ōyama temporarily summons QTS into the physical world and captures the fragmented imprints of its unstoppable motion, visualising them on a plethora of surfaces. These include not only physical objects such as walls, canvases and papers, but also digital, conceptual and social platforms such as videos, live performances and collaborations with fashion brands.

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