Special event: 20 November 2014
Director Kyoko Miyake, having lived outside of Japan for more than a decade, feels compelled to revisit Fukushima. She wants to find out the fate of her family’s home-town Namie, which with its golden beaches and friendly neighbours used to be her childhood idyll. Following her aunt Kuniko, Miyake begins to question her nostalgic childhood memories and in so doing understand the harsh economic realities and sacrifices that her Aunt and the people of Namie had to make in order to survive.
Special event: 19 November 2014
London based mezzo-soprano Ayaka Tanimoto is praised for her expressiveness and originality. Together with renowned guitarist and composer maestro José María Gallardo del Rey, they will perform a synthesis of Spanish and Japanese music.
Seminar: 18 November 2014
Rikuzentakata, a city in Iwate Prefecture, lost more than 1,500 people and 80 percent of its homes in the tsunami in March 2011. The city’s museums, too, were not spared: The Rikuzentakata City Museum, which held an important collection on the history, folklore and natural history of the region, was completely destroyed. Much of its collection was swept away and its entire staff was killed. Keishi Mitsui, curator at the Tokyo Metropolitan Museum of Photography, will talk about the salvaging operation underway to preserve these photographic materials and share lessons learned in order to plan for future disasters.
Book launch: 11 November 2014
Yukio Mishima was the most internationally acclaimed Japanese author of the twentieth century: prodigiously talented, dazzlingly prolific and a prime candidate for the Nobel Prize. Yet in 1970 Mishima shocked the world with a bizarre attempt at a coup d’état, which ended in his suicide by ritual disembowelment. In his radically new analysis of an extraordinary life, Damian Flanagan moves away from the stereotypical depiction of Mishima as a right-wing nationalist and aesthete and presents him as a man utterly obsessed with time – time-keeping devices and symbols – arguing that this compulsion was at the heart of the author’s literature and life.
Seminar: 4 November 2014
Beyond Nationalism: Sharing Democratic Values between Japan, South Korea, and the Overseas Chinese Diaspora
Dr Masato Kamikubo used the “democratic peace theory” to argue that sharing democratic values between Japan, South Korea and the overseas Chinese diaspora is one possibility to overcome the crush of nationalism and enmity between China, South Korea and Japan and avoid conflicts in the Northeast Asia region.
Seminar: 30 October 2014
It is clear from the accidents at Chernobyl (1986) and Fukushima Daiichi (2011) that severe nuclear accidents can occur, even if infrequently, meaning that coping strategies need to be developed in advance. Any mitigation strategy adopted will find itself in the spotlight of national and world opinion, and needs to be capable of rigorous justification, both to experts in the field and also to politicians and the general public, who have a particular fear of nuclear radiation.
Seminar: 22 October 2014
What is the power of art? What can art do? Can art deliver a social message, or any messages at all?
We invite Mami Kataoka, Chief Curator of the Mori Art Museum, one of Japan’s most active and prestigious galleries and James Lingwood, Director of Artangel, which commissions and produces exceptional projects by outstanding contemporary artists across Britain and beyond, to talk about the power of art.
Exhibition: 25 Sep 2014 – 18 Oct 2014
Satoshi Hashimoto is currently one of Japan’s most ‘alarming’ artists, producing works of art that make the viewer feel like someone witnessing a traffic accident. By somehow “questioning your stance”, “ignoring you”, “making a contract with you” or “transferring ownership to you”, they transcend social laws and morality and turn you into a participant, not just an observer.